Writing retreats in the Outer Hebrides

 

HeadlandFurther to our plans to offer writers’ retreats here in the wild and beautiful Western Isles, we now have some courses and some dates to offer.

From September 28 – October 5 this year we’ll be running a ‘Re-enchanting the Earth’ retreat for both men and women. (We’ll also be running this retreat in autumn 2014, very likely the week of September 20.) http://reenchantingtheearth.com/courses/residential-courses/re-enchanting-the-earth-retreat/ Prices start from £425 full board for 6 nights.

From May 4 – 10 2014, we’ll be running a ‘Singing Over the Bones’ retreat for women only. http://reenchantingtheearth.com/courses/residential-courses/singing-over-the-bones/ Prices also start from £425 full board for 6 nights.

The themes of each course will be similar, in that we will be focusing on deepening our relationship with the land and our connection to the natural world, and exploring the ways in which we can communicate it. We’ll be talking about authentic ways of living and being in the midst of a world in crisis. We have a unique opportunity here in the ‘working wilderness’ of our crofting village of Breanish to explore these issues. Nestled at the foot of Mealasbhal, Lewis’ highest mountain, we are sandwiched between sea and hills and look out to St Kilda, the Flannan Isles, Scarp and the Monachs. The landscape is rugged but intensely beautiful in all weathers. No guarantees of good weather can be given in the Outer Hebrides at any time of year, but standing by the sea in the face of a south-westerly gale and letting the air hold you up, then returning to a warm fire with your face encrusted with sea salt, is an experience not to be missed! Working the land as we do, David and I know the ecology and history of the place very well, and will share that knowledge as generously as we’re able. Side trips to the EarthLines croft are also encouraged.

Stags at Traigh Uig

Stags at Traigh Uig

It may seem as if travelling to the Outer Hebrides is impossibly long and slow, or impractically expensive: it doesn’t have to be so. Do have a look at this page for more information about the place, accommodation and travel.

Places on both courses are limited so if you’re interested please do contact me as soon as possible: sharon[at]reenchantingtheearth[dot]com.

An early morning walk with the dogs in the Outer Hebrides in winter

Around this time last year I posted this short piece on our now-defunct personal blog, House of the Ravens. I thought that EarthLines readers who won’t have seen it might enjoy a (slightly revised) flavour of this wind-laden place we live in.

It begins in what people from more elevated backgrounds than your own might name a ‘boot room’, what estate agents term a ‘utility room’, but which you call Wegg’s Garage, after a real-live garage owned by Wegg, a famously eccentric former ghillie and B&B operator in South Uist. Your Wegg’s Garage is a kind of ‘dirty kitchen’ – the place where you feed the dogs; the repository for dripping bog-laden outdoor clothes and wellies covered in more flavours of shit than you care to think about (you do, after all, live on a croft: shit is entirely de rigeur). Oh – and, like the original Wegg’s garage, it provides occasional storage for the odd fishing rod, waders and net, in season.

In Wegg’s Garage you listen to the howling wind and the hailstones that are hurling themselves violently at the back door and begin to pull on a ridiculous amount of clothing. By the time you’ve finished, as well as your underwear, you have on approximately five layers: a thermal vest, a thin sweater, a thicker cardigan, a fleece waistcoat and a raincoat. You prefer Paramo because it doesn’t rattle like Goretex or turn to cardboard in salty rainy windy conditions, and because it’s soft and light and flexible. It’s dark green so you don’t stick out like some ridiculous beacon (or tourist) on the headland. The overtrousers (also dark green) are Paramo too, though after a mere year of use they’re already beginning to come apart at the inner seams by the knee due to salty friction around the top of your wellies. You put on wellies rather than boots because there are bogs and streams where you’re going, and you want to be able to step in them without fear of a boot full of wet peat which, whatever you do to remove it, will inevitably set like concrete. You put a fleecy hat on to keep the hood of your jacket tight so it won’t blow off in the wind, and a pair of waterproof gloves.

When you open the door even the dogs think twice. But they’re croft dogs, and after a brief moment of hesitation they leap over the threshold and lead you through the morning routine: first you feed the cow, then you let out the hens and feed the geese and ducks. Finally you battle your way out of the front gate, which is a large galvanised farm gate. It is taller than such gates usually are to bring it up to a level with the deer fence, and so it requires every bit of your strength to open, hold it for the dogs, and then close it against the strong westerly wind.

The wind is full in your face as you fight your way down the track towards the headland. You stagger, you’re knocked back, but you’ve learned a few tricks about walking into wind over the years; the most important of them is to walk like an old country gentleman, with your hands clasped behind your back: it streamlines you. The dogs, inherently streamlined, think little of it. When the hail shower comes you turn and walk slowly backwards until it has passed. Little danger there: you know the track well enough by now – where the deeper water-filled potholes are, where the hard core has given way to pure mud.

HeadlandOn the wide open headland you fight to stay upright. The dogs are running round in circles – the stronger the wind, the more fun they seem to have. A couple of seagulls, determined to make it to the shore, are hard-pressed to make any progress at all; something which looks likely to be the first golden plover of the year flaps past you at an astonishing speed, the wind at its tail.

You plod through wet peat, flailing around like a mad woman. Two steps forward, one back. The black plastic toggle on the end of the cord that keeps your hood pulled tight around your face whips into your eye and almost takes it out. Eventually you make it to your favourite spot – the gently raised ground right next to the rocky shore from which you have a panoramic view of the surrounding landscape. You turn and acknowledge, as you do each morning. To the east, Mealasbhal, Lewis’s highest mountain, has scatterings of white on its upper slopes. South, the mountains of Harris are half-hidden in the sea-spray mist; Scarp is black and ominous. Out west, the idea that there is a St Kilda or anything remotely resembling it in the depths of that Payne’s-Gray gloom is gloriously laughable. The sea is pounding onto the rocks, splitting open the geos, broken waves hurling themselves into the sky, having a wonderful time. To the north, the slowly rising headland, the cairn that marks the highest point silhouetted against the sky. And back to the east, the place from which we came, full circle.

The dogs have done their rounds; that’s as far as you’ll get this morning. You turn back for home, wind at your back, trying not to run as it pushes you along – the ground is too slippery for that, after the winter rain. No sign yet of life out here, though the crocuses in the sheltered spots of your garden are blooming and the ever-present starlings are unperturbed bywhatever the weather may bring. Out here, it’s different; out here, there’s nowhere to hide. Even the thuggish gang of stags that normally patrols the headland at this time of year is sheltering somewhere else right now, and your sheep are tucked in the lee of a hill back over to the east.

And so, onwards: home, through another hail shower, face stinging with cold and salt. By the time you get back to the gate you have removed at least one layer, the hat is stuffed in your pocket, the jacket is unzipped, and the cardigan swings open (you are, after all, gloriously menopausal). In a final moment of madness you shrug off your hood and your hair whips in Medusa strands around your face as you struggle for the second time to open and close the gate without it knocking you off your feet. Latch in place, dogs inside, you stagger round the corner to the back door.

It ends as it began, in Wegg’s Garage, towelling off peaty dogs and draping your soaking wet outdoor gear over the sheila-maid. It ends when your husband asks you, without a drop of irony, because he too knows, Was that nice? It ends when you laugh out loud and say Yes.

Breathe; you are alive.

Sharon

Uig journal, 11 June 2012: From desert to bog, and back again

I fell in love with my first desert before I fell in love with my first bog. That first desert was in southern California in the mid-’80s, where I (a young PhD student who had seen very little of the British Isles, let alone the world) was attending an international conference on neuroscience. I’m sure the impact that the desert had on me was all the greater for having spent the best part of a week navigating the lunacy of Disneyworld-obsessed Anaheim, and dealing with a curious sense of panicked dislocation caused by the impossibility of getting around it safely – or, sometimes, at all – on foot. I remember the first time that orange-pink shimmering landscape opened up like a flower draped around the stalk of the long straight road ahead. I remember more than anything the heart-stopping sense of freedom and possibility that seemed to unfold in the simple vastness of it – because this was the first time I’d experienced anything so radically beyond the confined and enclosed landscapes that were typical of the places I knew. I remember too the clarity and calmness that I felt, wandering for a while through that vivid uncluttered country. I went on to fall in love with other deserts, from Arizona to Alice Springs, but the memory of that one is sharper somehow, like the memories of other first loves.

I fell in love with my first bog because it reminded me of the desert. I discovered it in Connemara, and the unique sense of it and how it felt to be there – the smell of the peat, the constancy of the wind and the infamously horizontal rain, the concentrated sense of mindful being in which all of the nonsense with which we clutter our heads ceased to matter and simply fell away – burrowed so deeply inside and rooted itself so strongly that two years later I had given up what remained of a stale old life and moved there, to renovate a ramshackle stone cottage in the Maamturk mountains.

How can a bog possibly remind you of the desert? Because both types of landscape carry with them that same sense of space, simplicity and bleak-yet-vivid clarity. In those days, you could stand in the emptiness of certain parts of southern Connemara with nothing between you and the distant mountains but a vast expanse of flat bog moonscaped with rock. It seemed to go on forever. In place of desert: moorland. In place of sand: peat. On the surface, there doesn’t seem to be much variety in the flora and fauna of the average bog, any more than there does of the average desert – but if you believed that you’d be wrong. What life there is may be sparser and harder to find, but it’s all the more vivid for its rarity. For me, though, the finest thing about bog compared to desert is the weather. When the little of your inheritance that isn’t Scottish is Irish, and you are possessed by some wild Celtic gene that drives you always to northern and western edges of things, there’s a helpless attraction to landscapes that have been carved out of wind and rain that can’t be overcome. I’ve loved the violence of desert storms, but there’s nothing that feels as much like home to me as a little soft rain on the wind.

After too short a time there, I left Ireland behind, for personal reasons. And never again felt that sense of real homecoming until the day, more than two years ago, when we drove through the Isle of Lewis in the Outer Hebrides to the croft and house that we would soon inhabit. Many years ago, roaming around the American southwest, I bought a book about southwestern landscapes in women’s writing and art called The Desert Is No Lady. The book takes its title from a poem by Pat Mora:

The desert is no lady.
She screams at the spring sky,
dances with her skirts high,
kicks sand, flings tumbleweeds,
digs her nails into all flesh.
Her unveiled lust fascinates the sun.

If one mythological reflection of the desert is a wild woman dancing with skirts held high, then her Hebridean cold-weather counterpart is the Cailleach, a wild hag with blue skin who dances across the peat-skinned mountain tops bringing winter to the land. It’s for sure that she’s no lady, either. And so each day I walk (my hag-dancing days are still to come) across moors and hills and rocks that are skinned with peat, over bare Lewisian gneiss more than 3000 million years old, through a landscape characterised by the intricate scatterings of dark, shallow peat lochans that are called ‘pool systems’.

But now, after five or so weeks without rain, we find that desert has come to the bog. On our headland moor, those lochans are completely dry, and the squelching boggy pools that lurk between them to trick the unwary are now nothing more than carved-out hollows in the shrunken, cracked peat. Both deer and raven have come down from the hills in search of better fare, and the late-spring flowers (tormentil, spring squill, heath milkwort, bird’s-foot trefoil …) cling desperately to yellowing scrubby grass, hoping, as we do, for rain.

SB

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